Kate Harpootlian explains how she employed more impactful minimal movement when choreographing her dance short exploring the dissolution of a relationship.
Emma Branderhorst tells DN why it was important to take a new tack of addressing those who share intimate images without consent for her KPN campaign film.
Julia Patey breaks down the creative benefits of her instinctual, holistic approach to crew hierarchy on her inventive, desert-set Okay Kaya music video.
Ella Care speaks to DN about depicting the grey area of teen consent in her powerful short about the innocence of a girl's first kiss being dashed by reality.
Nicola Martini reveals the methods he use to achieve the intense, climactic tonal sensibility of his alpine-set branded short for Serafino Consoli Jewelry.
Bren Cukier shares how the intimate accounts of real women directly informed her film about a woman's isolating experience practising her reproductive rights.
Jimmy Goldblum discusses up-ending typical true crime missing girl tropes in his short following a teen girl who inserts herself into a life that isn’t hers.
Melina Valdez unpacks her process of weaving magical realism into a grounded narrative informed by personal experience to portray the tumult of teenage grief.
David Robinson-Smith discusses the considered active cinematography employed in his haunting short where an unreliable narrator recounts a violent assault.
Photographer/Director Aleksandra Kingo explains the ideas first, technology second creative approach she took for her life imitating art debut short film.
Nathan Morris reveals the essential role his Disability Coordinator played in ensuring the diversity, inclusion and authenticity of his budding romance short.
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