Alejandro Gerber Bicecci reveals the genesis of his labyrinthine drama about a subway driver met by violent indifference in her search for her missing husband.
Naomi Christie speaks about the micro-aggressions and lived experiences which informed the seedy reality of her darkly comic tale of race objectification.
Samantha Soule opens up about the necessity of harnessing nature as an essential third character in her ethereal story of a woman trying to find her way.
Daniel Rands discusses playing with perspectives by placing a handheld camera in the clashing thick of his uncomfortable classroom set power struggle drama.
Lauren Pringle explains how she drew from the rich history of witches and environmental uncertainty for her dance short about a lonely outcast coming of age.
Jason Hogan breaks down the script work, journalling and improvisations on the street of London that comprised the rigorous rehearsals of his ballet drama.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
Rudá Santos digs into the process of creating impactful characterisation by fine-tuning the dialogue delivery in his subversive film about female rebellion.
Pulkit Arora tells us how a mounted jib arm enabled the evocative cinematography in his close quarters short about a lonely widow isolated in her mourning.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
Kat Mills Martin unveils the methodology behind the restrained shooting style of her subversive pregnancy drama about a woman's desire for a one-night stand.
Subscribe to our weekly newsletter and never miss the latest independent film news
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.