Berlinale Best Short winners Michelle & Noel Keserwany talk to DN about using both essay and fiction forms to create a touching tale of feminine solidarity.
Emma Branderhorst talks about drawing from personal experience for her short exploring the nuanced balance of love and annoyance between a mother and daughter.
Olivier Lescot discusses deploying flowing movements, an impressive one-shot, a fine sense of myth and a propulsive tone for his kinetic car chase short.
Koya Kamura reflects on his successful decision to make the leap from a decade in commercials into his narrative debut, a drama set in post-disaster Japan.
Christopher Hanany talks to DN about the benefits he found in trusting his performers and embracing their spontaneity for spiritual dance short 'The Way'.
Zoé Wittock provides an insight into the production practicalities of choreographing the many moving parts of her objectophilia romance feature 'Jumbo'.