tao/s explain why the one-shot was the most authentic way to capture the emotional chaos of a family trying to cope with their mom's mental health disorder.
Johannes Moe unpacks how Denmark’s mental health system failures reshaped his film and why humour was an essential element of its devastating narrative.
Riffy Ahmed discusses integrating magical realism into her short film which offers a fresh take on the emotional dynamics of mother/daughter relationships.
We learn how Shirin Sohani & Hossein Molayemi battled against the headwinds of filmmaking in Iran all the way to the Academy Awards with their animated short.
Chirs Parton talks about bouncing between his writer and director roles when tweaking the script on the set of his comedy about a couple's cohabitating woes.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
Lovell Holder opens up on why moving to a non-linear structure during post yielded a more compelling version of his queer drama about a young man on the brink.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
William Miller shares how his background helped him to authentically portray the locations, movements and emotions of professional football in his debut short.
Joe Williams & Charlie Edwards-Moss discuss imbuing their 70s-influenced folk horror with a contemporary edge while shooting on 35mm to evoke the time period.
Duncan Cowles speaks to us about his new shorts 'Outlets' 'Sighscapes' and 'Desire Lines', and the upcoming premiere of his debut documentary feature film.
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