We learn how Shirin Sohani & Hossein Molayemi battled against the headwinds of filmmaking in Iran all the way to the Academy Awards with their animated short.
Chirs Parton talks about bouncing between his writer and director roles when tweaking the script on the set of his comedy about a couple's cohabitating woes.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
Lovell Holder opens up on why moving to a non-linear structure during post yielded a more compelling version of his queer drama about a young man on the brink.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
William Miller shares how his background helped him to authentically portray the locations, movements and emotions of professional football in his debut short.
Joe Williams & Charlie Edwards-Moss discuss imbuing their 70s-influenced folk horror with a contemporary edge while shooting on 35mm to evoke the time period.
Duncan Cowles speaks to us about his new shorts 'Outlets' 'Sighscapes' and 'Desire Lines', and the upcoming premiere of his debut documentary feature film.
Julia Zlotnick walks us through how she melded the artistic worlds of narrative and dance for her visceral, emotionally charged short about mental health.
Nick Bentgen reveals the free-flowing, mixed format, organic shooting process of his doc about a group of free spirited teens in the outer boroughs of NYC.
Luke Brookner delves into using 16mm & 35mm to represent the dual timelines of his film depicting the struggle of leaving behind an upbringing in foster care.
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