Alejandro Gerber Bicecci reveals the genesis of his labyrinthine drama about a subway driver met by violent indifference in her search for her missing husband.
Alessandro & Flavio Vivarini discuss creating a haunting ode to Italian gangsters with heavy contrasts, religious images and floating widescreen frames.
Omar Kakar discusses the alchemy of the editing process which enabled him to straddle genres without leaving his audience adrift in a sea of confusion.
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