We speak to Jessica Barr about embracing the art in social cause filmmaking for her disturbing short about a woman who has her sexual agency taken from her.
Iris Breward discusses crafting the dual tones of her short about an aspiring performer's optimism vs the harsh reality of working as a children's party clown.
Michael Rees talks us through prioritising a chaotic tone over script-specific dialogue to great comic effect in his short film about a double-booked Airbnb.
Ben Lankester details the multi-tiered sound design that immerses audiences into the frantic intensity of his BIFA nominated maternity ward drama short.
Nina Gantz takes DN inside the extraordinary craftsmanship of her stop motion short which offers a poignant exploration of loss for its diminutive stars.
Chanelle Eidenbenz talks about leaning into cast insights and evolving the script of her drama about a delusional woman’s fraught relationship with her son.
Werner Vivier explains the use of a voyeuristic one-shot framing device to subtly examine the theme of racism in food culture in his awkward first date short.
Kyle Jon Shephard walks DN through the combination of practical and digital VFX behind the titular head in his frantically kinetic stress-fuelled short.
Hannah Levin shares how she balanced out the comedic beats, sticking to the story and keeping the narrative moving in her bold, reckoning comedy short debut.
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