Matty Crawford chats to DN about building the horror fuelled landscape of his psychological drama about a lonely parent suffering from empty nest syndrome.
Brennan McGee reveals the formalist approach he took when shooting his psychologically absurd dark comedy about a man's surreal quest to find his member.
Multi-DN alum Andrew De Zen opens up about the very personal and visceral feelings he poured into his deeply affecting Amnesty International campaign short.
Debbie Howard explains why handheld was the ideal aesthetic to fully immerse the audience in her disquietingly familiar short about unwanted male attention.
William Grave speaks to DN about creating a neutral almost timeless setting for his black and white drama about a cross-cultural couple battling prejudice.
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