Jason Hogan breaks down the script work, journalling and improvisations on the street of London that comprised the rigorous rehearsals of his ballet drama.
Peter Franklyn Banks discusses translating a chilling real world experience into his fraught drama short about the danger of overburdened hospital workers.
DN talks to Sophie King about blending humour and social commentary in her subversive gender disparity comedy short about a world where men can get pregnant.
Brendan Beachman delves into why California's vistas were the perfect backdrop for his marriage dramedy about newlyweds discovering a life altering clarity.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
David Robinson-Smith shares how he moved between the dual realities of his acerbic housing crisis short where a landlord is confronted by his evicted tenant.
Rudá Santos digs into the process of creating impactful characterisation by fine-tuning the dialogue delivery in his subversive film about female rebellion.
Harry Plowden tells DN why embarrassment was the key emotional touchstone of his short exploring the line between comedic relatability and dark misogyny.
Nathan Ginter takes us inside the ways he and his crew maximised the potential and adaptability of their locations when crafting their body horror grad short.
Lovell Holder opens up on why moving to a non-linear structure during post yielded a more compelling version of his queer drama about a young man on the brink.
Pulkit Arora tells us how a mounted jib arm enabled the evocative cinematography in his close quarters short about a lonely widow isolated in her mourning.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
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