Short Film Tag Archive

Live Action, Premiere

An Overworked Game Developer’s Multiple Personalities Revive a Deeply Buried Memory in Guen Murroni’s ‘As for Me’

Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.

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Live Action

David Robinson-Smith’s ‘We Used To Own Houses’ Vividly Conveys the Despair of Those Caught in the Housing Crisis

David Robinson-Smith shares how he moved between the dual realities of his acerbic housing crisis short where a landlord is confronted by his evicted tenant.

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Live Action

Rudá Santos’ ‘Vibrations’ Sees A Young Girl’s Surprise Survival Lead a Mother to Rebel Against Those in Power

Rudá Santos digs into the process of creating impactful characterisation by fine-tuning the dialogue delivery in his subversive film about female rebellion.

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Animation

Harry Plowden’s Scuzzy Animation ‘All Gucci My Broski’ Chronicles a Young Man’s Filthy Inner Monologue

Harry Plowden tells DN why embarrassment was the key emotional touchstone of his short exploring the line between comedic relatability and dark misogyny.

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Live Action, Premiere

Nathan Ginter’s Darkly Comic Body Horror ‘The Third Ear’ Sees a Nude Model’s Self-Image Begin to Spiral

Nathan Ginter takes us inside the ways he and his crew maximised the potential and adaptability of their locations when crafting their body horror grad short.

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Live Action, Premiere

A Chance Encounter With a Hustler Shifts a Suicidal Young Man’s Perspective in Lovell Holder’s ‘You Say Hello’

Lovell Holder opens up on why moving to a non-linear structure during post yielded a more compelling version of his queer drama about a young man on the brink.

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Live Action, Premiere

Pulkit Arora’s ‘Anu’ Explores Grief and Displacement Through the Confined Lens of a Solitary Hotel Room

Pulkit Arora tells us how a mounted jib arm enabled the evocative cinematography in his close quarters short about a lonely widow isolated in her mourning.

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Live Action, Premiere

Amelia Sears’ ‘Three’ Dives Into the Psyche of a New Mother Fervently Grappling With Her Identity

Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.

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Live Action, Premiere

Kat Mills Martin Deconstructs the Regressive Notion of the Obedient Mother in Comedy Drama ‘Celeste in Spring’

Kat Mills Martin unveils the methodology behind the restrained shooting style of her subversive pregnancy drama about a woman's desire for a one-night stand.

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Live Action, Premiere

A Cursed Man’s Mounting Misfortune Plays Out for All to See in Maxwell Hughes Klaiber & Jordan Moran’s ‘JOB’

Maxwell Hughes Klaiber discusses the highly effective voyeuristic perspective he & Jordan Moran took in their short capturing the worst day of a man’s life.

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Music Video, Premiere

In Stefano Usberghi’s Pulsating Genetik Music Video ‘Sanctuary’ a Priest Treats Addiction With Sonic Catharsis

Stefano Usberghi peels back the curtain on the dynamic camerawork infusing the surreal aesthetic of his subversive Alcoholics Anonymous-set music video.

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Live Action, Premiere

A Couple Bear the Cost of the Contaminated Blood Scandal in Luke Shelley’s ‘What We Wished We Could Be’

Luke Shelley explains how he used grounded characterisation to frame the charged issues of an ongoing true life scandal within a humanistic perspective.

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