Zen Pace breaks down the meticulously crafted emotional architecture of their self-reflexive experimental poetry short film love letter to the inner child.
Hunter Allen explains the key role lighting and suggestive motifs played in bringing together the advertising and naturalistic worlds of his sex toy comedy.
Julie Magnaudet breaks down the colourful, warm and subversive visual language of her conceit-driven romantic comedy about a women seeking love life help.
Christa Haley details the intricacies of shooting the intimate scene in her film revealing the hidden vulnerability a swim leader looked up to by her peers.
Joe Williams & Charlie Edwards-Moss discuss imbuing their 70s-influenced folk horror with a contemporary edge while shooting on 35mm to evoke the time period.
Miranda Stern unpacks the cathartic and narrative reasons she opted for an abstract, mixed media scrapbook-style approach for her self-explorative doc short.
Audrey Mascina talks about the importance of audiences seeing representations of powerful women on screen like those in her late night deserted road set drama.
Jaja Meloche explains why she wanted a bold female character to lead the narrative in her powerful coming of age drama exploring the grey area of consent.
Peter Collins Campbell unpacks the wizardry behind the split-screen visuals of his short about a couple who can duplicate into new versions of themselves.
William Kenton reveals the lived experiences and modern dating tropes steeped in his quirky, anti-rom-com about the life cycle of a New York relationship.
Hervé Demers returns to DN to discuss his new doc short set in Asbestos, a former mining town in Quebec, which explores notions of community and identity.
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