From careful zooms to POV shots, Max Novick discusses enveloping the audience in his dramedy about pregnancy sparked jealousy within a Brooklyn throuple.
Writer/Actor Ryan Walker-Edwards opens up about working behind and in front of the camera to bring a rarely seen story of Black queer intimacy to screen.
Hazel McKibbin talks about building an intricate dance of dominance, deference and self-diminishment between lovers and family in her charged drama short.
William Miller shares how his background helped him to authentically portray the locations, movements and emotions of professional football in his debut short.
Carlen May-Mann reveals the techniques she used to train a voyeuristic gaze on her alluring motel guest who quickly disrupts a couple's monotonous life.
Andrew De Zen explains why 65mm film was the perfect format to capture the grand yet intimate story of his short about a woman who finally lets herself loose.
Jens Schillmöller discusses subverting audience expectations and maintaining intrigue in his short about a man attempting to bridge the generational divide.
Zen Pace breaks down the meticulously crafted emotional architecture of their self-reflexive experimental poetry short film love letter to the inner child.
Hunter Allen explains the key role lighting and suggestive motifs played in bringing together the advertising and naturalistic worlds of his sex toy comedy.
Julie Magnaudet breaks down the colourful, warm and subversive visual language of her conceit-driven romantic comedy about a women seeking love life help.
Christa Haley details the intricacies of shooting the intimate scene in her film revealing the hidden vulnerability a swim leader looked up to by her peers.
Joe Williams & Charlie Edwards-Moss discuss imbuing their 70s-influenced folk horror with a contemporary edge while shooting on 35mm to evoke the time period.
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