Alison Grasso delves into finding the character driven heart of her film about a UK baker's Sprinklegate fight over the use of illegal American sprinkles.
Emily Halaka joins DN to discuss how she used animation to promote harmony between humanity and the Earth in her delightfully surreal ecological short.
Melanie Cura Daball reveals why an ethical approach was an essential pillar in the making of her hybrid doc about her friend's battle with a bipolar diagnosis.
Remi R.M. Moses explains the alternate directorial approaches used for the adult and child actors in his intimate drama about a father struggling to find hope.
Eugene Kolb speaks about striking the right balance between the salacious subject matter and the correlating animations of his doc about self-gratification.
Jerome Yoo talks about adopting handheld camera work to express the freedom and abandon of his teenage protagonists on a mission to relocate a significant pet.
Henry Behel deconstructs the ambitious mix of plane and FPV drone aerial photography choreographed for his contemplative doc about Airshow Pilot Eric Tucker.
Greg Cruttwell explains how his disgust about the horrific violence of football hooliganism galvanised the creation of his blistering monologue revenge short.
Charlotte Hamblin talks about making the move into directing for her semi-autobiographical tragicomedy about a woman concerned that she's a catalyst of death.
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