Gabriel Caste tells DN about drawing viewers into his psychological thriller probing the dread of existence which can throw us into a depressive cycle.
Nazrin Choudhury discusses crafting the pace of her Oscar nominated short to fully immerse the audience into the precarious life of a struggling young mother.
We chat to Sam Baron about his love of subversion in comedy and digging into the paranoid fragility of the male ego in the conclusion of his Amit Shah trilogy.
Simon Woods walks through the ways he played with dark and light in the telling of his shocking drama about a young boy navigating his parents' marriage.
Nathan De Paz Habib discusses experimenting with the form of the distinctive scenes representing a series of emotive flashbacks in his surreal debut short.
Samantha Moore breaks down the slyly subversive framework of her tactile and therapeutic animated documentary expressing the restorative power of knitting.
Elham Ehsas talks about placing the audience in his protagonist's shoes in his film shining a light on the loss of women's freedoms under Taliban rule.
Writer/Director Yasmin Afifi tells DN why magical realism was the perfect genre in which to tell her dark comedic story about finding joy at the end of life.
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