Vida Skerk's second consecutive La Cinef Cannes selected short binds a closing British steelworks and the immigrant overseeing it into one haunted reckoning.
Laura Carreira explains why removing antagonists sharpened her film's critique of the gig economy and its deleterious effect on he isolated Portuguese migrant.
Daisy-May Hudson opens up about turning pain into power in her feature where a young woman struggles against a broken system to regain custody of her kids.
Alejandro Gerber Bicecci reveals the genesis of his labyrinthine drama about a subway driver met by violent indifference in her search for her missing husband.
Michael Jobling speaks about purposely avoiding the typical approach to working class stories in his short showcasing a man’s gruelling emotional journey.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
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