Harry Sherriff returns to reveal how his creative development at the NFTS informed his latest nightmarish comedy about a man pitted against his doppelgänger.
Michael Rees takes DN through his brisk and effective approach to production for his short about a lecturer being challenged about his baffling thesis.
'2nd Class' dir. Jimmy Olsson discusses the attraction of narratives about fear, discarding the coverage safety net and why he’ll never play a Nazi again.
Sara Colangelo joins us to discuss her process for working with actors, the advantages of a Netflix release and why directing shouldn't be a dictatorship.
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