Jason Hogan breaks down the script work, journalling and improvisations on the street of London that comprised the rigorous rehearsals of his ballet drama.
Peter Franklyn Banks discusses translating a chilling real world experience into his fraught drama short about the danger of overburdened hospital workers.
DN talks to Sophie King about blending humour and social commentary in her subversive gender disparity comedy short about a world where men can get pregnant.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
Rudá Santos digs into the process of creating impactful characterisation by fine-tuning the dialogue delivery in his subversive film about female rebellion.
Balázs Simon & Cátia Abreu unpack the practical and digital tools that gave birth to the Cronenbergian monster in their creepy Sad Night Dynamite promo.
Harry Plowden tells DN why embarrassment was the key emotional touchstone of his short exploring the line between comedic relatability and dark misogyny.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
Luke Shelley explains how he used grounded characterisation to frame the charged issues of an ongoing true life scandal within a humanistic perspective.
Writer/Actor Ryan Walker-Edwards opens up about working behind and in front of the camera to bring a rarely seen story of Black queer intimacy to screen.
Hazel McKibbin talks about building an intricate dance of dominance, deference and self-diminishment between lovers and family in her charged drama short.
William Miller shares how his background helped him to authentically portray the locations, movements and emotions of professional football in his debut short.
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