Why fiction, not documentary? Georgia Parris & Natalie Lauren on making us feel how school fines punish, isolate and push struggling families to collapse.
Shot in rural Bulgaria on black and white SD with a real tank, Sami Abusamra’s satirical adaptation asks what happens when power lands in the wrong lap.
Max Clendaniel's improv comedy magnifies the fine line between an actor's vanity & their justifiable concerns about how a director depicts them onscreen.
Drawing on her childhood, Susan Wokoma writes, directs and stars as a teacher torn between instinct and complicity in a staffroom deciding a girl’s fate.
Ten years ago, Sam Baron asked loved ones to predict 2026. Now he confronts the messy, unscripted grief for his late mum hidden in the footage all along.
Lola-Rose Maxwell outlines how she stepped behind the camera, engineered a creepy puppet antagonist & blended comedy with atmospheric horror for her debut.
Shot on 35mm in a single house, writer/director Elliott Power straddles menace and humour in a psychological standoff short disguised as suburban mundanity.
Born from Abi Zakarian's blistering stage monologue, Jacob Hopewell turns the male gaze inside out, resulting in a raw and genuinely terrifying confrontation.
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