Daniel Rands discusses playing with perspectives by placing a handheld camera in the clashing thick of his uncomfortable classroom set power struggle drama.
Leo Villares details the creeping zooms accentuating the dark comedic anxiety of his protagonist as he wrestles against the teachings of a wellness cult guru.
Barnaby Blackburn discusses why he wanted to lead his audience unwillingly through the high tension drama of his tale of sibling rivalry and false bravado.
Michael Jobling speaks about purposely avoiding the typical approach to working class stories in his short showcasing a man’s gruelling emotional journey.
Folu Odimayo deconstructs his use of narration during the choreographic prep of his film telling the tale of a stag whose fate is controlled by three birds.
Jason Hogan breaks down the script work, journalling and improvisations on the street of London that comprised the rigorous rehearsals of his ballet drama.
Peter Franklyn Banks discusses translating a chilling real world experience into his fraught drama short about the danger of overburdened hospital workers.
DN talks to Sophie King about blending humour and social commentary in her subversive gender disparity comedy short about a world where men can get pregnant.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
Rudá Santos digs into the process of creating impactful characterisation by fine-tuning the dialogue delivery in his subversive film about female rebellion.
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