Jordon Scott Kennedy shares his frustration with typical social realist films and his desire to tell joyful working class stories which embrace a child's POV.
Eva Blackwell-Rogelj unpacks how she dove deep into the opaquely murky waters of female sexuality vs male objectification in her troublingly familiar short.
From NFTS first year film to Cannes red carpet: Vida Skerk reflects on embracing subtlety over spectacle for her history making La Cinef selected short film.
Drawn to the faded heyday glamour of Blackpool, Olivier Richomme explains how he transformed seaside banality into a surrealist meditation on monstrosity.
Alexander Jeremy trumpets the lofi manifesto which has enabled him to continually develop his filmmaking creativity free from gatekeeping financial barriers.
Dan Braga Ulvestad takes us inside the stripped-back approach, actor trust and delicate existential dialogue which were central to his grounded breakup short.
Louisa Connolly-Burnham discusses using long takes to place us in the visceral tension of her depiction of a woman's lack of consent being repeatedly ignored.
Riccardo Fusetti walks through the construction of his lifestyle short which uses 80 AI VFX shots to subvert our expectations of a model's carefree existence.
Riffy Ahmed discusses integrating magical realism into her short film which offers a fresh take on the emotional dynamics of mother/daughter relationships.
Sam Baron reveals how camerawork, coordinated stunts and top-notch performances combined to enhance the dark comedy of his bloody office survival short.
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