Lovell Holder opens up on why moving to a non-linear structure during post yielded a more compelling version of his queer drama about a young man on the brink.
Kat Mills Martin unveils the methodology behind the restrained shooting style of her subversive pregnancy drama about a woman's desire for a one-night stand.
Maxwell Hughes Klaiber discusses the highly effective voyeuristic perspective he & Jordan Moran took in their short capturing the worst day of a man’s life.
From careful zooms to POV shots, Max Novick discusses enveloping the audience in his dramedy about pregnancy sparked jealousy within a Brooklyn throuple.
Hazel McKibbin talks about building an intricate dance of dominance, deference and self-diminishment between lovers and family in her charged drama short.
Carlen May-Mann reveals the techniques she used to train a voyeuristic gaze on her alluring motel guest who quickly disrupts a couple's monotonous life.
Zen Pace breaks down the meticulously crafted emotional architecture of their self-reflexive experimental poetry short film love letter to the inner child.
Christa Haley details the intricacies of shooting the intimate scene in her film revealing the hidden vulnerability a swim leader looked up to by her peers.
Jaja Meloche explains why she wanted a bold female character to lead the narrative in her powerful coming of age drama exploring the grey area of consent.
Peter Collins Campbell unpacks the wizardry behind the split-screen visuals of his short about a couple who can duplicate into new versions of themselves.
William Kenton reveals the lived experiences and modern dating tropes steeped in his quirky, anti-rom-com about the life cycle of a New York relationship.
Matt Porter breaks down the origins of his viral culture comedy and shares how they constructed a paranoid visual tone to match their character's predicament.
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