We speak to Elvira Lind about casting her partner Oscar Isaac against type in 'The Letter Room' - a bittersweet comedy set in a maximum security prison.
DN talks to Mitch deQuilettes about the self-referential filmmaking of 'Staff Pick' a dark comedy reality hopping meta-narrative about outsized male egos.
Kylie Murphy discusses giving voice to untold stories in forthright short 'Green', exploring the culture of power and abuse in the entertainment industry.
Raphael Gonzalez explains how he delivered a witty, thoughtful portrayal of the bonds of friendship in his dark, impossible request comedy 'The Living'.
Kelsey Bollig explains how she brought the energy of theatre to screen in 'The Fourth Wall' while exploring the separation between actors and the audience.
Caleb Slain reveals the important relationships his crew established to tackle the personal subject matter at the heart of his lifespanning film 'Enough'.
We chat to the creative trio behind doc short 'Invisible Monsters and Tomato Soup' about using animation to navigate through people's angst-ridden dreams.
Matt McClung shares how he balanced the threatening tone of disturbing online behaviours personified IRL with lighter moments of comedy in 'One to One'.
A tale of the American dream told through rap, director Andrew Litten reveals how he conveyed the conflicted upbringing of rapper Nana in 'King's Blvd'.
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