Co-Directors Tsvetelina Zdraveva & Jerred North break down the production roles they each occupied in order to craft their animated immigrant drama.
Live Action, Premiere
Nathan Ginter details how the use of heavy close ups in his intense short drama reflect his lead character's spiralling mental state.
Ewurakua Dawson-Amoah discusses her personal connection with Shito Ryu karate and the dojo at the heart of her latest exhilarating experimental spot.
Writer/Director McKinley Carlin speaks to DN about using extreme close ups to heighten the hilarity of his uncomfortable comedy about a sausage dog's demise.
Chloe Sarbib explains why she deliberately engendered shifts in her directing style for her heartfelt music drama about identity and self-examination.
Ryan Schnackenberg opens up about needing to confront his own experiences of rejection when making his uncomfortable short about challenging gatekeepers.
Ben Tricklebank breaks down how he built narrative tension that speaks volumes from what isn't said in his exploration of a toxic parental relationship.
Eli Powers tells DN how leaning into the genre elements of his concept enabled him to creatively flourish when mapping out the script of his tense horror.
Sachin Dheeraj discusses the visual language he used to depict the deplorable true story of men stripped of their dignity for profit by modern day slavery.
Samm Hodges breaks down how he used the tension of a seemingly one-shot film to embed the audience in the chaotic world of his protagonist's turbulent life.
Abi Damaris Corbin discusses the careful blocking, Demme-inspired close-ups and deep collaboration which underpin her portrayal of a larger-than-life heist.
Actor Erik Odom tells DN why rehearsal time with his scene partner was key to the success of his directorial debut about shame manifest in demon form.
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