David Robinson-Smith discusses the considered active cinematography employed in his haunting short where an unreliable narrator recounts a violent assault.
Jerome Yoo talks about adopting handheld camera work to express the freedom and abandon of his teenage protagonists on a mission to relocate a significant pet.
Henry Behel deconstructs the ambitious mix of plane and FPV drone aerial photography choreographed for his contemplative doc about Airshow Pilot Eric Tucker.
Christopher Pickering reveals how he arrived at the deceptively profound concept of his short exposing the bizarre method for determining snack serving sizes.
Mixing experimental dance with realist movements and non-diegetic with diegetic cues Josh Leong explains how he immersed us in a moving mental health story.
Reed Purvis explains how he captured the authentic sounds, scenarios and conversations of a Buenos Aires barrio as seen through the eyes of a recent arrival.
Ivan Olita shares how he authentically portrayed the Las Vegas visitors rarely see for his film about the conflicted identity of an Elvis impersonator.
With dark lighting, close angles and an improvisatory feel, Marco Lawson explains how he expertly captured the awkwardness of keeping up with the in-laws.
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