Inspired by his shift into fatherhood following the arrival of his first son, Pierre-Luc Racine’sBirth plays like the opening of an epic space opera – in no little part because of the fittingly lifted Hans Zimmer score.
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the multi-decade incarnation of this disorder and remains so much cheaper than film school.
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