11th February, 2021
Kiril Shmidov discusses the third instalment of his drone series 'We Above', which captures the visual grandeur of a world on the precipice of a pandemic.
3rd December, 2020
The story of a writer's descent into isolated madness is conveyed through dance in Alexandre Richard's prescient music video for Mada Mada's 'Autonome'.
10th November, 2020
Complicated power dynamics and repressed emotions are confronted in Alexandre Richard's heartfelt and dreamlike music video for Felixe's anthemic 'Ellipse'.
Art & Fashion, Premiere
26th October, 2020
A love letter to water, Adam William Wilson reveals how 'Flow with Life' became an outdoor gear film that's unafraid to confront vulnerability.
Live Action, Premiere
14th October, 2020
Shot in the beautiful British Columbia countryside Nano Clow's The Loneliest Boy in the World' conveys loneliness through a mix of fascinating contrasts.
4th August, 2020
Kalainithan Kalaichelvan takes DN through the important conversations surrounding consent he hopes to provoke with his experimental romance short '80613'.
27th May, 2020
Ethan Godel talks creating the vision of an alternate present through purposefully archaic production design for sci-fi comedy dating short 'Vessel'.
23rd March, 2020
Co-Directors Justin Black and Emily Jenkins join DN to discuss the rigorous camera tests behind 'Terminally in Love' their first-person tale of broken love.
18th March, 2020
"A guy… in a sex shop… holding two dildos…" We talk strong character motivations and sexual insecurity with 'I Love You, Hannah' director Greg Fox.
12th March, 2020
José Lourenço explains how he created an alternative approach to shooting comedy for his awkward first date short 'Romance Language'.
6th March, 2020
We talk to director Devon Mussett about capturing a devastating round of sad girl karaoke in a single shot for Jillian Lake's break up anthem 'Oliver'.
29th January, 2020
Luke Orlando discusses his beautifully evocative ode to the spaces we love and the ways in which that love manifests in the objects we hold close.
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