Andy Reid confronts his own experience of sexual assault by staging a film rehearsal where two actors negotiate the ethical boundaries of depicting trauma.
Eschewing restaurant chaos for stillness, Anna Hopkins’ short film finds drama in small gestures, shared meals and intimate conversations after closing.
Eoin Duffy returns to Directors Notes to discuss meeting the animated challenge of documenting the most prolific goal scorer in international soccer history.
Shot with friends in Kananaskis wilderness dressed in scavenged junk, Cameron Macgowan's charming wordless short grew through years of unhurried collaboration.
Across shifting chapters, Kalainithan Kalaichelvan pieces together a grandmother whose family realise how little of her inner life they ever truly knew.
Shifting from a dialogue-heavy script to a more atmospheric flow, Andrew De Zen discusses crafting a visual poem about the choices we make in a world on fire.
Annika Chavez breaks down how experimentation within an organic shoot helped her capture the unspoken weight of a life-changing moment shared in a bathroom.
Martin Marko talks about the multi-year journey across sea, editing, sound and image to create his enveloping, unpredictable epic maritime adventure short.
Challenging outmoded perceptions of what’s socially acceptable, Priscilla Galvez explains why being banned by YouTube is a badge of honour for her short.
Krit Komkrichwarakool walks us through how he blended magical realism with grounded storytelling to explore the complex dynamics of modern relationships.
Amir Zargara talks through the difficult social implications of making his political film about a wrestler speaking out against the Iranian government.
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