Two men look at a woman. One wants her, the other one gets her.
Our last mention of French outfit CRCR was the wildly kinetic Todor & Petru; their new piece Vésuves plays at a much more languid pace with a transfixing tri-tone palette.
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the multi-decade incarnation of this disorder and remains so much cheaper than film school.
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