Nat Gee details shooting on 16mm & cutting 4 minutes from her edit to help audiences deeply connect with her maverick winemaker's psychological fragmentation.
Ada Player & Bron Waugh explain how they adapted their stage monologue for film, found London's loneliest brutalist locations and crafted a loveable doormat.
Jeroen Kooistra recounts how a shared creative itch evolved into his stark short film exploring how our need for belonging can be manipulated to serve others.
James Nicholas Green gives DN the low-down on his comedic take on England's 1980s class struggle which moves the political fight from the pits to the stage.
Eva Blackwell-Rogelj unpacks how she dove deep into the opaquely murky waters of female sexuality vs male objectification in her troublingly familiar short.
Drawn to the faded heyday glamour of Blackpool, Olivier Richomme explains how he transformed seaside banality into a surrealist meditation on monstrosity.
Julia Godfrey & Will Abbott talk about creating a disorientatingly cohesive world where two friends manically unravel in the 24 hours after a hit and run.
Dan Braga Ulvestad takes us inside the stripped-back approach, actor trust and delicate existential dialogue which were central to his grounded breakup short.
Louisa Connolly-Burnham discusses using long takes to place us in the visceral tension of her depiction of a woman's lack of consent being repeatedly ignored.
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