Sascha Vernik breaks down the process of creating the stylised, vivid and pulpy visual aesthetic of his trippy, time-hopping animated short.
Ewa Smyk tells DN how she combined 3D modelling with hand-drawn 2D animation to speed up the lengthy creation process of her NFTS grad short.
Richan Li explains the underlying metaphorical implications of the surreal animal heads her protagonist Norah dons in her 2D animated short.
Les Mills describes the 35 year evolution of his creative partnership with Animator Joanna Quinn which led to their Oscar and BAFTA nominated short film.
With blocky colours, sharp-lines and an Eastern Bloc-inspired aesthetic, David Zamorano explores the futility of serving your country.
Kai Stänicke details how he drew inspiration from the animation styles of 80s & 90s German abstract films for his admonitory time crunch short ‘Pace’.
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