Weiland & Constantine deconstruct the 6 camera coverage needed to capture the set-piece of their heart-pounding short about France’s only female bull-jumper.
Anna Guseva outlines why 35mm film was the appropriate shooting format for her time-spanning dance short/music video traversing Dom Radio's rich history.
Michael Jobling speaks about purposely avoiding the typical approach to working class stories in his short showcasing a man’s gruelling emotional journey.
Hazel McKibbin talks about building an intricate dance of dominance, deference and self-diminishment between lovers and family in her charged drama short.
Joe Williams & Charlie Edwards-Moss discuss imbuing their 70s-influenced folk horror with a contemporary edge while shooting on 35mm to evoke the time period.
Sirius unpacks the challenges of blending choreography with performance in his country road-set film about a couple dancing their way back to one another.
Taylor Thompson explains how he channelled his failures with adult friending into his cringe-inducing short about a lonely chatterbox desperate to connect.
Bren Cukier shares how the intimate accounts of real women directly informed her film about a woman's isolating experience practising her reproductive rights.
Luke Brookner delves into using 16mm & 35mm to represent the dual timelines of his film depicting the struggle of leaving behind an upbringing in foster care.
Tom Berkeley & Ross White discuss subverting character expectations in their psychological pitch black comedy Western about sisters hunting gold in Wales.
Lucy Elizabeth McKendrick & Charles Polinger talk about creating the fantasies a young woman loses herself to in their twisted long distance romance short.
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