Past and present blur at a Mojave gas station as David Liu's elegiac short asks what it means to carry every version of yourself into an uncertain future.
Ali Gill details how the voyeuristic cinematography in his allegorical short framed the descent into political madness of a man whose truth falls on deaf ears.
Finegan Sampson shares how a fascination with the transformation of trauma into performance coalesced into his drama about an actor's need to embrace grief.
Emma Branderhorst tells DN why it was important to take a new tack of addressing those who share intimate images without consent for her KPN campaign film.
Alessandro & Flavio Vivarini discuss creating a haunting ode to Italian gangsters with heavy contrasts, religious images and floating widescreen frames.
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