Simone Smith explains how she used visually outré imagery, claustrohobic frames and rear projection to find the madness of a chaotic family.
Live Action, Premiere
Constructed with static frames, a deep depth of frame and bustling compositions, Ali Gill takes DN behind the scenes of a unique viewing experience.
David Easteal returns to DN to discuss shooting almost entirely from the back of a car for his truly transportive hybrid docu-fiction feature debut.
Erlendur Sveinsson explains how a shocking life experience led to the creation of 'Kanarí', an immersive, subjective exploration of the human condition.
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