Shot with friends in Kananaskis wilderness dressed in scavenged junk, Cameron Macgowan's charming wordless short grew through years of unhurried collaboration.
Sharif Abd el Mawla steers us through the "clunky, imperfect, but genuine" movement language used to transform actor Sam Spruell into an otherworldly antihero.
Lauren Pringle explains how she drew from the rich history of witches and environmental uncertainty for her dance short about a lonely outcast coming of age.
Shot in the beautiful British Columbia countryside Nano Clow's The Loneliest Boy in the World' conveys loneliness through a mix of fascinating contrasts.
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