Adam J. Graves reveals how he balanced the dark realities of fast fashion's child labour with moments of joy, resilience and hope in his Oscar nominated short.
Eugene Kolb speaks about striking the right balance between the salacious subject matter and the correlating animations of his doc about self-gratification.
Hugo De Sousa returns to DN and tells us how he recreated the claustrophobic, exploitative atmosphere of an audition for his uncomfortable satirical short.
Will Kenning chats to DN about combining the world of tap with the grim reality of exploitation perpetrated by drug gangs for his compelling drama short.
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