Art & Fashion
Kevin Kim tells DN how he conjured the hazy, wide-angled look of Wong Kar-Wai's Happy Together and Fallen Angels for his Alex S. Yu fashion short.
Live Action, Premiere
Victor Claramunt reveals how he achieved the freeing buoyancy of the dynamic choreography in his vivacious dance short.
Harun Güler discusses using slow-motion, evocative performances and subversive fashion to point to new ways for Turkish gender expression.
Louise de Nexon talks through the expressive qualities of the 16mm cinematography and inspired staging featured in her invigorating Converse spec spot.
Iacopo Carapelli walks through the holistic approach to collaboration which guided his electrifying tribute film to how unique each one of us is.
Paul Ward talks us through shooting with a minimal crew while combining on the-the-fly footage, animation and special effects in his gorgeous surfing film.
Mazdey Snob discusses the significance of celebrating her Mexican roots when creating her pimped up Midas touch inspired fashion film.
Camila Arroyo outlines the intense self-reflection and on the job learning required to feature in and direct her collaborative dance/fashion film.
Alice Fassi explains how shooting on 16mm helped to provide artistic integrity and avoid a stereotypical ad look for her branded film.
Director Felicia Manning takes DN inside the creation of her joyous experimental dance ode to the liberating sensations of freedom, nature and lightness.
Los Pérez explain how they achieved the signature bombastic cinematography style of 'Get Smoooth Again' their branded short for Klarna feat. A$AP Rocky.
We speak to Pavel Brenner about deploying a constantly roving camera, bright colour-palette and gorgeous power suits for Wuxia fashion film 'Sisters'.
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