DN talks with Alice Seabright about the crowdfunding process, making art about taboo topics and recognising humour in dark times for comedy drama 'End-O'.
We speak to Dee Meaden about the dramatic importance of the small moment coupled with an unhurried editing style in short 'Some Things Mean Something'.
'Girl Talk' director Erica Rose on how she worked with her actors towards creating a safe environment for intimate scenarios and intense emotional scenes.
DN sits down with Dee Meaden to discover how working without production safety nets made room for creative risks and authentic performances in 'Sibling'.
DN speaks with Amelia Hashemi at BFI Flare about the shooting logistics of a nightclub, difficulties with the casting process, and clever camera tricks.
Renata Gasiorowska tells DN how she caused a scandal when a group of school children accidentally attended a screening of her erotic comedy short 'Pussy'.
Emily Ann Hoffman discusses using stop-motion to create an animated film about birth control free from the judgemental myths which often surround the topic
Annabelle Attanasio explains how extensive pre-planning and choreographed action were invaluable preparation for absurdist short, 'Frankie Keeps Talking'.
The deadline for London Film Academy's Pioneers Award is soon! DN spoke with LFA's co-founder Anna MacDonald about their scholarship for female filmmakers.
In Joosje Duk's provocative short, the carefree dynamic between four friends suddenly shifts following an unpleasant encounter with a nightclub bouncer.
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