A few minutes, a world yet to be fully explored. Helena Ganjalyan and Bartosz Szpak on the deliberate ambiguity and feature-length ambitions of ‘Hauser’.
Why fiction, not documentary? Georgia Parris & Natalie Lauren on making us feel how school fines punish, isolate and push struggling families to collapse.
Yassmina Karajah unpacks the instinctual performances, voyeuristic visuals and immersive soundscape behind her unconventional love letter to her home city.
Kendall Goldberg's social anxiety comedy magnifies the fears of every introvert who's ever accepted an invitation to a party with people they don't know.
Lee Lawson discusses the practical effects and unexpected tenderness behind the provocative premise of her SXSW award-winning short, 'Man Eating Pussy'.
Drawing on her childhood, Susan Wokoma writes, directs and stars as a teacher torn between instinct and complicity in a staffroom deciding a girl’s fate.
Lola-Rose Maxwell outlines how she stepped behind the camera, engineered a creepy puppet antagonist & blended comedy with atmospheric horror for her debut.
Eschewing restaurant chaos for stillness, Anna Hopkins’ short film finds drama in small gestures, shared meals and intimate conversations after closing.
In Li Anne Liew's tender ghost story reverie, a young woman wanders Los Angeles unseen as she mourns the life she's leaving and the ones she'll never live.
Kelly Sarri grounds global climate anxieties within the invisible domestic toll borne by three generations of women inside a sweltering Greek apartment.
In his experimental fashion film, Guilherme Proença explores the endless pursuit of perfection & optimisation of human experience across a trio of odd tests.
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