Lauren Pringle explains how she drew from the rich history of witches and environmental uncertainty for her dance short about a lonely outcast coming of age.
DN talks to Sophie King about blending humour and social commentary in her subversive gender disparity comedy short about a world where men can get pregnant.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
Balázs Simon & Cátia Abreu unpack the practical and digital tools that gave birth to the Cronenbergian monster in their creepy Sad Night Dynamite promo.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
Kat Mills Martin unveils the methodology behind the restrained shooting style of her subversive pregnancy drama about a woman's desire for a one-night stand.
Hazel McKibbin talks about building an intricate dance of dominance, deference and self-diminishment between lovers and family in her charged drama short.
Carlen May-Mann reveals the techniques she used to train a voyeuristic gaze on her alluring motel guest who quickly disrupts a couple's monotonous life.
Julie Magnaudet breaks down the colourful, warm and subversive visual language of her conceit-driven romantic comedy about a women seeking love life help.
Christa Haley details the intricacies of shooting the intimate scene in her film revealing the hidden vulnerability a swim leader looked up to by her peers.
Miranda Stern unpacks the cathartic and narrative reasons she opted for an abstract, mixed media scrapbook-style approach for her self-explorative doc short.
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