Kate Harpootlian explains how she employed more impactful minimal movement when choreographing her dance short exploring the dissolution of a relationship.
Emma Branderhorst tells DN why it was important to take a new tack of addressing those who share intimate images without consent for her KPN campaign film.
Julia Zlotnick walks us through how she melded the artistic worlds of narrative and dance for her visceral, emotionally charged short about mental health.
Julia Patey breaks down the creative benefits of her instinctual, holistic approach to crew hierarchy on her inventive, desert-set Okay Kaya music video.
Ella Care speaks to DN about depicting the grey area of teen consent in her powerful short about the innocence of a girl's first kiss being dashed by reality.
Bren Cukier shares how the intimate accounts of real women directly informed her film about a woman's isolating experience practising her reproductive rights.
Melina Valdez unpacks her process of weaving magical realism into a grounded narrative informed by personal experience to portray the tumult of teenage grief.
Hollie Buhagiar reveals her approach to composition, her feelings about temp score and AI music generation, and the joy of experimenting with new instruments.
Photographer/Director Aleksandra Kingo explains the ideas first, technology second creative approach she took for her life imitating art debut short film.
Josie Charles & Nathan Miller talk to DN about the unwanted attention they garnered filming in public with a taxidermied cat for their quirky comedy short.
Amaka Lin reveals how the unsettling yet meditative textures of dark ambient music inspired her movement-led exploration of time, nature and the future.
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