Alison Grasso delves into finding the character driven heart of her film about a UK baker's Sprinklegate fight over the use of illegal American sprinkles.
Emily Halaka joins DN to discuss how she used animation to promote harmony between humanity and the Earth in her delightfully surreal ecological short.
Melanie Cura Daball reveals why an ethical approach was an essential pillar in the making of her hybrid doc about her friend's battle with a bipolar diagnosis.
Charlotte Hamblin talks about making the move into directing for her semi-autobiographical tragicomedy about a woman concerned that she's a catalyst of death.
Anna J. Takayama talks shooting in Tokyo and colour as a narrative tool whilst dissecting the creation of her multi-award winning film about an ageing actress.
Anna-Claria Ostasenko Bogdanoff details how she captured sensorial experiences for her documentary unveiling the ancient tea tasting practices of a master.
Victoria Singh-Thompson talks about crafting a fragmented editing style to convey the dissociative turmoil churning in her traumatised protagonist's brain.
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