Animation, Film Festival
Flóra Anna Buda talks about creating a new kind of intimacy in animated erotica in her portrait of a woman's sexual desires and financial restrictions.
John Stevenson reveals the lessons he learned directing for major studios and how they guided him in the creation of his BAFTA nominated short.
Ewa Smyk tells DN how she combined 3D modelling with hand-drawn 2D animation to speed up the lengthy creation process of her NFTS grad short.
Olivier Lescot discusses deploying flowing movements, an impressive one-shot, a fine sense of myth and a propulsive tone for his kinetic car chase short.
Les Mills describes the 35 year evolution of his creative partnership with Animator Joanna Quinn which led to their Oscar and BAFTA nominated short film.
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