From careful zooms to POV shots, Max Novick discusses enveloping the audience in his dramedy about pregnancy sparked jealousy within a Brooklyn throuple.
William Kenton reveals the lived experiences and modern dating tropes steeped in his quirky, anti-rom-com about the life cycle of a New York relationship.
Heather Lang tells DN how the mise-en-scene of her & Purdie Baumann's dance short was foundational in shaping the radical character of the overall piece.
Giorgio Miraflor talks to DN about providing his audience with an absorbing fly's eye view of a transformative conversation in his slice of life drama.
Dustin Waldman speaks about vividly evoking the paranoia of the post 9/11 era in showing a post-production house removing the Twin Towers from The Sopranos.
Mixing experimental dance with realist movements and non-diegetic with diegetic cues Josh Leong explains how he immersed us in a moving mental health story.
Omar Kakar discusses the alchemy of the editing process which enabled him to straddle genres without leaving his audience adrift in a sea of confusion.
Epic long takes, musical pastiche and minimalist music, Jermaine Manigault reveals the tools he used to create a unique portrait of what blackness means.
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