Zhenia Kazankina breaks down the naturalist performances and mix of documentary and fiction methods of her 16mm reimagining of Greek myth in a Moscow park.
Nastia Korkia shares how she used a cinematic language of slow, methodical takes in order to show how deeply embedded corruption is in everyday Russian life.
Lado Kvataniya & Sergey Kolesov detail how they worked together to reflect the pernicious role of modern day propaganda in their caustic animated music video.
With militaristic movements on a barren landscape, Dasha Gushchina discusses crafting a brutal ballet as a direct response to unthinkable monstrosities.
Leo Gorenshtein tells DN why he strives to embed multiple layers of meaning in his films to create viewing experiences which reward deeper contemplation.
Philipp Yuryev talks about giving voice to those victims the Kremlin tries to silence through a careful blend of live-action and storybook stop-motion.
Zhenia Kazankina explains how deadpan framing and cast relationships formed in rehearsals allowed for an oddball take on the coming-of-age genre in 'Rio'.
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