Dima Barch walks us through his use of long takes, dynamic lighting set-ups and an ambiguous mode to create an ambitious and menacing queer horror film.
Zhenia Kazankina breaks down the naturalist performances and mix of documentary and fiction methods of her 16mm reimagining of Greek myth in a Moscow park.
Nastia Korkia shares how she used a cinematic language of slow, methodical takes in order to show how deeply embedded corruption is in everyday Russian life.
Lado Kvataniya & Sergey Kolesov detail how they worked together to reflect the pernicious role of modern day propaganda in their caustic animated music video.
Leo Gorenshtein tells DN why he strives to embed multiple layers of meaning in his films to create viewing experiences which reward deeper contemplation.
Philipp Yuryev talks about giving voice to those victims the Kremlin tries to silence through a careful blend of live-action and storybook stop-motion.
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