With militaristic movements on a barren landscape, Dasha Gushchina discusses crafting a brutal ballet as a direct response to unthinkable monstrosities.
Leo Gorenshtein tells DN why he strives to embed multiple layers of meaning in his films to create viewing experiences which reward deeper contemplation.
Philipp Yuryev talks about giving voice to those victims the Kremlin tries to silence through a careful blend of live-action and storybook stop-motion.
Zhenia Kazankina explains how deadpan framing and cast relationships formed in rehearsals allowed for an oddball take on the coming-of-age genre in 'Rio'.
Andzej Gavriss describes the challenges he faced in bringing his pro-LGBTQ music video 'We Will Become Better' to fruition in Russia's homophobic society.
Andzej Gavriss details the meticulous storyboarding process which underpinned the creation of 'Eleusis' — a delicious, horror trip inspired by Greek myth.
Philipp Yuryev reveals the German expressionist influences behind his startling black & white allegory of contemporary Russian culture 'Tale of the Deaf'.
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