Stripping back commentary and even dialogue, Joshua Seftel builds a documentary film about gun violence from silence and the objects children left behind.
Directing children through emotionally weighted material, Saul Abraham focusses in on the construction of his tender school photos collaboration with Truman.
Katie Lambert take us all back to school and maps out the disco choreography and swimming pool shooting of her effervescent coming of age comedy short.
Gus Flind-Henry and George Malcher share how small moments, big pressures and authenticity shaped their portrait of teaching in a South London state school.
Gerardo Coello Escalante dissects how he confronted cultural malinchismo through his story of a sneaker revelation that unravels a Mexican boy's worldview.
Demitri Zujew delves into the importance of representing "strong eat the weak" culture for what it is and his use of origami as a potent narrative symbol.
Daniel Rands discusses playing with perspectives by placing a handheld camera in the clashing thick of his uncomfortable classroom set power struggle drama.
Beej Harris discusses building two distinct realities for his film highlighting the help available for students faced with the prospect of school expulsion.
Victoria Singh-Thompson talks about crafting a fragmented editing style to convey the dissociative turmoil churning in her traumatised protagonist's brain.
Leonard Rääf talks to DN about crafting the story of a friendship strengthened by the discovery of well-kept secrets in his new coming-of-age drama comedy.
Subscribe to our weekly newsletter and never miss the latest independent film news
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.