Will Kenning chats to DN about combining the world of tap with the grim reality of exploitation perpetrated by drug gangs for his compelling drama short.
VERSUS discuss the unexpected cohesive aesthetic of their film trilogy showcasing Western Sydney's typically underrepresented and under-resourced artists.
David O'Reilly reveals how he replicated precise camera movements, used VFX and hid lots of Easter Eggs in his ultimate short film homage to Barry Lyndon.
Will & Carly speak about exploring the disparity between the fantasy of the male gaze and the reality of women’s breasts in their social experiment short.
Nastia Korkia shares how she used a cinematic language of slow, methodical takes in order to show how deeply embedded corruption is in everyday Russian life.
Björn Swoboda and Eike Frederik Schulz explain how they created a porous boundary between fantasy and reality for their alluring Retterspitz branded short.
Daniel Turvil discusses highlighting the pressure of life in the suburbs in his short about a man unleashing his anger on doll-like versions of his family.
Ryan Schnackenberg opens up about needing to confront his own experiences of rejection when making his uncomfortable short about challenging gatekeepers.
Eilidh Nicoll discusses the practical and creative purpose behind the stark black, white, pink and green colour scheme of her short about ageing insecurity.
Zornitsa Dimitrova speaks to us about crafting a story which forces audiences to experience the shock of deceit in her hard hitting and unapologetic short.
Ben Tricklebank breaks down how he built narrative tension that speaks volumes from what isn't said in his exploration of a toxic parental relationship.
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