Zhenia Kazankina breaks down the naturalist performances and mix of documentary and fiction methods of her 16mm reimagining of Greek myth in a Moscow park.
Reed Purvis explains how he captured the authentic sounds, scenarios and conversations of a Buenos Aires barrio as seen through the eyes of a recent arrival.
Benjamin Roberds tells DN how keeping his crew small allowed him to maximise his creativity during the pre-production of his role reversal horror comedy.
Joseph Brett expounds on his desire to challenge gaps of representation in British folk aesthetics with his eerie stop motion film about home and belonging.
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