Benjamin Roberds tells DN how keeping his crew small allowed him to maximise his creativity during the pre-production of his role reversal horror comedy.
Joseph Brett expounds on his desire to challenge gaps of representation in British folk aesthetics with his eerie stop motion film about home and belonging.
Will Kenning chats to DN about combining the world of tap with the grim reality of exploitation perpetrated by drug gangs for his compelling drama short.
VERSUS discuss the unexpected cohesive aesthetic of their film trilogy showcasing Western Sydney's typically underrepresented and under-resourced artists.
David O'Reilly reveals how he replicated precise camera movements, used VFX and hid lots of Easter Eggs in his ultimate short film homage to Barry Lyndon.
Will & Carly speak about exploring the disparity between the fantasy of the male gaze and the reality of women’s breasts in their social experiment short.
Nastia Korkia shares how she used a cinematic language of slow, methodical takes in order to show how deeply embedded corruption is in everyday Russian life.
Björn Swoboda and Eike Frederik Schulz explain how they created a porous boundary between fantasy and reality for their alluring Retterspitz branded short.
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