Michael Rees talks us through prioritising a chaotic tone over script-specific dialogue to great comic effect in his short film about a double-booked Airbnb.
Hannah Levin shares how she balanced out the comedic beats, sticking to the story and keeping the narrative moving in her bold, reckoning comedy short debut.
Writer/Director Yasmin Afifi tells DN why magical realism was the perfect genre in which to tell her dark comedic story about finding joy at the end of life.
First time feature director Céline Sciamma talks female sexuality & shooting poolside for her synchronised swimming set coming of age drama 'Water Lilies'
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