Hector Bell discusses crafting a character whose private vice literally erupts across his girlfriend's skin, every visit blooming as her fresh personal hell.
Edie Amos' timely 16mm doc challenges and redefines masculinity in the modern age with a blend of striking visuals and the powerful words of poet Sam Browne.
Isabella Eklöf talks to DN about her TV adaptation of Nick Cave's novel, starring Matt Smith as a sex addicted salesman in what may be his best performance
Forcing audiences to confront complicity, Ellen Rodnianski explains how the moral inaction in her short mirrors societal apathy towards large scale violence.
Faced with a flawed ending, George-Alex Nagle explains how a reshoot led to a more complex and ultimately superior conclusion for his fraught familial drama.
Dave Paige shares the inciting awkward massage which triggered his amusement, sparking the idea for his darkly comedic tale of socially anxious politeness.
David Leon reveals how he tonally distinguished the three worlds of his allegorical tale cautioning against making the same mistakes as those who came before.
Iris Breward discusses crafting the dual tones of her short about an aspiring performer's optimism vs the harsh reality of working as a children's party clown.
BIFA winning director Christopher Andrews speaks to us about his use of a shifting visual language to ratchet up the tension in his bold feature debut.
Stefan Hunt talks blending the rambunctious reality of Australian masculinity with the expressive qualities of dance in his boisterous choreographic short.
Barnaby Blackburn discusses why he wanted to lead his audience unwillingly through the high tension drama of his tale of sibling rivalry and false bravado.
Audrey Mascina talks about the importance of audiences seeing representations of powerful women on screen like those in her late night deserted road set drama.
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