Christopher Andrews reflects on the destructive nature of toxicity in his BIFA winning debut pitting Christopher Abbott & Barry Keoghan against one another.
BIFA winning director Christopher Andrews speaks to us about his use of a shifting visual language to ratchet up the tension in his bold feature debut.
Michael Anthony Kratochvil extols the rewards of rejecting appeasement and embracing the creative instinct of the peculiar for his trippy sci-fi horror short.
Sandhya Suri delves into exploring the complexities between women in positions of power as a way of dissecting the all too common violence inflicted on women.
Alejandro Gerber Bicecci reveals the genesis of his labyrinthine drama about a subway driver met by violent indifference in her search for her missing husband.
David Robinson-Smith discusses the considered active cinematography employed in his haunting short where an unreliable narrator recounts a violent assault.
Greg Cruttwell explains how his disgust about the horrific violence of football hooliganism galvanised the creation of his blistering monologue revenge short.
Theo W Scott talks to DN about his hope that its tale of "dumb characters butchering each other" throughout history will inspire questions of free will.
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