Born from Abi Zakarian's blistering stage monologue, Jacob Hopewell turns the male gaze inside out, resulting in a raw and genuinely terrifying confrontation.
Grace Tan navigates personal grief and the physical vocabulary of pole dance to transform Madison Godfrey’s memoir-in-verse into a triumphant short film.
Hilla Medalia discusses filming a female-led Tel Aviv vigil where silence becomes the most radical, devastating protest against the killing of innocents.
Stripping back commentary and even dialogue, Joshua Seftel builds a documentary film about gun violence from silence and the objects children left behind.
Sandhya Suri discusses her decade-long journey to bring Santosh to life, blending crime thriller tension with a searing critique of gendered violence in India.
Gregory Shell explains why he was determined to work with non-actors for his film about a young man struggling with life after returning from military service.
Bill Morrison discusses the defined parameters he adhered to when constructing his haunting Oscar nominated documentary short about a 2018 police shooting.
BIFA winning director Christopher Andrews speaks to us about his use of a shifting visual language to ratchet up the tension in his bold feature debut.
Michael Anthony Kratochvil extols the rewards of rejecting appeasement and embracing the creative instinct of the peculiar for his trippy sci-fi horror short.
Sandhya Suri delves into exploring the complexities between women in positions of power as a way of dissecting the all too common violence inflicted on women.
Alejandro Gerber Bicecci reveals the genesis of his labyrinthine drama about a subway driver met by violent indifference in her search for her missing husband.
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