28th April, 2017
Writer/Director Branden Kramer shares how he navigated weather, permits and tight deadlines for his choreographed love triangle dance short.
Art & Fashion
27th April, 2017
Barcelona Director Jordi Estrada guides DN through his melancholic reflection on youth and the magic and pain of platonic love.
26th April, 2017
Emmanuel Adjei discusses transforming a self-storage facility into a near future dystopia for his impressive single-take Mark Pritchard music video.
Animation, Art & Fashion
25th April, 2017
Visual Artist Johan Rijpma joins DN for a long overdue interview about his career and his latest mind bending, hyper-reflexive, hand drawn animation.
24th April, 2017
Jeremy S. Collins places the crucial, but hidden talents of the foley artist front & centre in his layered behind the scenes music video for Small Black.
21st April, 2017
DN talks to innovative experimental filmmaker John Morena, about his uncompromising, weekly animated micro-film series 'Area 52'.
20th April, 2017
South African Director Kyle Lewis talks about the creation of his epic triple threat, 14-minute music video for Nasty C's 'Bad Hair' album.
Live Action, Music
19th April, 2017
Filmmaking collective I AM HERE take DN through the intense shoot & multinational cross-border collaborations behind their powerful narrative music video.
18th April, 2017
Tanner Jarman imparts the lessons he learned the hard way when bringing his sports drama about shrinking opportunities & the pressure to succeed to screen.
17th April, 2017
Director Ian Pons Jewell returns for his fourth DN interview - discussing working with Lily Newmark & shooting on 35mm for his Art Fund – Miss Nothing
14th April, 2017
Alexan Sarikamichian talks about nudity, the male gaze and capturing unadulterated femininity in his alluring tale of teenage desire, guilt and confusion.
Documentary, Music, Podcasts
13th April, 2017
Matt Hopkins & Ben Lankester's feature doc follows five-piece rock band I Like Trains as they struggle to breakthrough after losing their record deal.
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